An end of the world battle between gangsters, cops and zombies.
A posse of crooked cops, malevolent gangsters and a horde of walking dead are the centre point of this gruesome, tight, action packed, claustrophobic tale of retribution and escape. Penned like animals, on the top floor of a deserted high-rise block, these two opposing gangs find that they are not alone in the lair of bloodthirsty corridors of death. Joining forces to survive, they must reach ground level together or perish. Loaded with a bad ass attitude, guns, axes and extremely creative hand-to-hand combat sequences that project the fears and paranoia that are the fighting forces behind the need to survive, when caught up in the wrong place at the wrong time.
This movie turned out to be a killer movie.<br/><br/>First of all, I didn&#39;t know it was a French zombie movie, and it is the first French movie of this genre that I have seen, so this was an instant hit for me.<br/><br/>What makes this movie good? Well, simply put the sheer amount of adrenalin-pumping action and amount of zombies in it. The story of the movie is pretty straight forward, although it is kind of on the weak side. Don&#39;t expect a heavy plot here. A group of cops are out for vengeance on a small group of gangsters, when everything goes to Hell, literally. And the dead are returning to life to feed upon the living, and the two opposing groups have to team up to survive the horror. There, that was basically it. From there on, it is basically about the group making their way down through the levels of a tall building.<br/><br/>Sounds boring? Well, surprisingly enough it wasn&#39;t! Because there was a lot of action constantly, and zombies were lurking around just about almost every corner. And the characters in the movie were cool, some quirky, others hardcore and kicking butt. The dialogue is simple and pretty much to the point, no long speeches here that tell you nothing in an endless amount of time.<br/><br/>The zombies were nicely enough to look at, though I am more to the Romero-type zombies, where they are shambling about, because death has something called &quot;rigor mortis&quot; to it after all. I am not keen on the zombie movies where the zombies (or walkers, if you will) are all agile, running and jumping around. But of course, we all have different tastes.<br/><br/>The ending of the movie was phenomenal. Of course it was sort of predictable, but still it was a cool ending, so thumbs up for not having one of those typical sassy Hollywood endings here.<br/><br/>For a non-Hollywood zombie movie, &quot;La Horde&quot; (aka &quot;The Horde&quot;) is a definite worthy attempt into the zombie movie genre. Who knew that the French would be able to put a movie of this caliber together? If you haven&#39;t already seen this movie, get your rear in gear and get to it, especially if you are a zombie aficionado.
France is in the grip of utter chaos and anarchy, a country at the end of its tether. It has been overrun by zombies. The silly creatures now make up nearly all of the country&#39;s population. Yes, it has finally happened, what every sane Frenchman and every free-loving French citizen had always feared: France has become nearly 100% Socialist.<br/><br/>This movie should serve as a stark reminder what happens when nearly everyone starts voting for the Left. There is no worse thing.<br/><br/>Much like &quot;The Meaning of Life&quot; is invaded by a short film, this movie starts off as a crime thriller that soon gets invaded by a horror film, sort of like &quot;Deep Rising&quot;.<br/><br/>&quot;Le Hordes&quot; is a slickly directed film, if a little too dark (to hide the CGI flaws probably), another reminder of the quickly improving French cinema. Once just a place where pretentious award-winning dramas were made, but now a top force in the world film market. Of course, this has as much to do with the U.S. film industry&#39;s demise in the past decade (quality-wise, of course, I&#39;d never question the dollars pouring in from bird-brained teens watching the likes of Kristen Stewart clown around in big-screen turds).<br/><br/>By French standards, this is almost a Disney version of a horror film. Quite violent and bloody, yes, but next to the ultra-sadistic/perverse offerings such as &quot;Malefique&quot;, &quot;L&#39;interieur&quot;, or &quot;Martyrs&quot;, it is &quot;Happy Sunny Otters Frolicking In The Mud&quot; practically. I would have preferred a little less talking and more action, but the writer deemed it necessary (for whatever reason) that we should get to know these irrelevant soon-to-be-zombie-fodder characters a bit better.<br/><br/>Characters nearly all of whom are cops and gangsters – which is possibly why nobody in this movie ever manages to figure out that a shot in the head is what is required to kill a zombie. I waited and waited, but it never happened; at no point did a cop or gangster say &quot;hey, notice how they drop to the ground after we shoot them in the head!&quot; There is plenty of mean-cop/rough-gangster tough-guy Mediterranean-movie macho-bull posturing, too much in fact, but this isn&#39;t a major problem.<br/><br/>I don&#39;t expect a zombie film to be original, but I do expect SOME measure of effort or imagination when it comes to the ending. Unfortunately, this movie has none, no real ending to speak of, just a cop-out finish. The alpha-male black gangster and the wiry female cop escape the building, she executes him, and then we hear sounds of more hordes surrounding her. Last scene. Simply not good enough. <br/><br/>After that, it&#39;s the end-credits. If you thought rap was a ridiculous form of &quot;music&quot;, you ain&#39;t heard nuthin&#39; yet, at least not until you&#39;ve heard French rap: it&#39;s absolutely ridiculous.<br/><br/>Aside from the vapid ending, the other minor problem I have with the movie is Claude Perron. No, he&#39;s not an actor. He&#39;s an actress. But you can be easily forgiven for mistaking her for a guy. This woman is far too unattractive for a horror action flick. (I could see her in a dumb costumer or a moronic chick-flick; isn&#39;t that where they&#39;re supposed to be casting all the uglies?) If I am forced to watch yet another modern-day gung-ho feminist take on &quot;girl power&quot; – in form of yet another anorexic-yet-somehow-amazingly-strong power-chick shtick chop-socking bad guys left-and-right – then I at least want the woman in question to be a looker, and not this. Still, the action sequences which involve her aren&#39;t too lara-croft-ish, I guess; it could have been much sillier when one considers what absurd skills these skinny ex-models are usually given in the recent spate of action turkeys. Hint hint James Bond films and Milla Jovovich.

This zombie flick has only been released in a cut version in France, neither the DVD nor the Blu-ray contain the Uncut Version. Right at the beginning three long scenes featuring the character of Jimenez were left out: two on the cemetery and the following one in the alley showing Jimenez beating up a guy. There&#39;s no real explanation for deleting this scenes but they can be seen in the bonus material of the French DVD/BD.
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